An open letter to my daughter.
Dear darling girl,
Funny how sometimes a
mother has to write a bunch of strangers rather than to write directly to her
girl. Maybe, someday, when you’re not fourteen-years-old and pissed-off at me
about half the time, you’ll be able to hear this from me.
No matter. I still have
to say it. It’s one of the things that I’ve learned and I hope you learn too:
Say it anyway. Even when you can’t say it to the right person. Say it out loud
and clearly and then…move on.
So you’ve got this solo
violin concert tomorrow: your first. And you’re scared to death. New things
have never been easy for you, but standing in front of a group of strangers and
playing a fairly complicated piece? Yeah, that’s got to be getting your knees
shaking a bit.
The thing is I know
you’re going to be great. I also know that my opinion on this doesn’t count for
much right now. You were pretty clear last night when I asked you if you wanted
to hear what I think: “Mom, no offense, but you don’t know anything about
music.”
It’s a lovely thing for
me that you consider me someone who doesn’t know anything about music. What it
means to me is that your standard is high. Not because I do know, especially,
anything about music. I don’t know how frustrating it is to switch to third
position when you thought the piece was played in first position. The circle of
fifths makes my head hurt and I haven’t been practicing the guitar enough to
build even the smallest of calluses on my fingertips. I almost always have to
have you sing the harmony because it’s easier for me to hold than to harmonize.
I am one of the least musically-talented adults in your world.
I get it. Little do you
know, though, that I sing in so many places with so many groups. One time, my
women’s group was at a restaurant and we were singing happy birthday to Kristina.
We sang in three-part harmonies and we sounded great! (I held the melody, of
course.) When we were finished singing, the whole restaurant clapped. And then
two other tables, who were also celebrating birthdays, asked us to come and
sing for them. You would have been mortified.
Once, I led a national
gathering of women in song after song. Yep, me, your musically deficient
mother.
So, you’re right that I
don’t know the technical details of your playing. If you use an up-bow and it
should be down, I’ll almost certainly miss it. But I’ve been listening to you
play for six years. I’m surrounded by musicians and music and it’s a huge part
of my world. And here’s what I do know.
I know that the power of
music is in the playing. The technical skill is nothing more than how you get
to playing a piece like it matters: the technical skill isn’t enough. When a
player has her soul come through her instrument, through her fingers, that’s
when music hits in the heart.
I know that I am starting
to hear your soul in your playing. I hear your passion, your solidness, your
feistiness. Yes, it helps that you can do a strong vibrato and longer bows and
that you’re steadier on your feet. But what I hear coming through is the power
of Irene O’Connor’s fire in the pit of her belly. When you dash your music to
the ground and scream that you can’t possibly do it, that you won’t go and that
I and no one else can make you…I know you’ll be more than fine.
Here’s the thing—I don’t
know what will happen tomorrow. I suspect that you won’t dare disappoint your
teachers; that’s so unlike you. And I hope you go. Because when you have to
push up against these hard things, you see what you’re really made of. You’re
made of some pretty good grit. If you don’t have to force yourself to get up
and do something sometimes, my guess is you won’t do much. And that’s not you
at all.
Tomorrow at this time, it
will all be over. You’ll have done it. And you will—almost certainly—be glad you
did.
So, cast me out of your
mini-rehearsal. Yell and fuss and agonize. Then take all that passion and
feeling and depth that I so love about you, and let it come through the music.
Try not to think too much about the notes: they’ll come. Just remember to say
your piece in your playing. It’s beautiful, just like you. Everyone will feel
that, even if they don’t know a thing about music.
P.S. Thanks for reading
this before I published it and giving me your okay. Mama.
4 Comments:
I dreaded recitals as a boy, sales calls as a man, speeches and readings and new radio shows as a performer. There have been times I have tried to run away. Then I choose from one of several little voices in my head to make me go on. They range from, “You’re getting paid for this.” to “You’re really good at this, go knock ‘em dead!” I like listening to the second voice a whole lot more than any of the others.
Ed, Yes! I like that voice too. As they saying goes--love what you do and you'll never have to work a day in your life.
Sometimes the only way to reach past the technical and allow the music coming through you to tap into the passion and feeling you have is to surrender to it. To say "I can't do this". Because you can't. The music itself does it and you are merely the instrument. Surrendering to the music is exactly how one learns to play. And throwing down your bow, stomping your feet, shaking your fist at the universe you are too small and powerless to control is exactly what allows you to let go and let the music flow through you.
Seems to me Irene is on her way to being a real musician and more power to her and to her loving, wonderful mama.
Beauty both!
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